The ‘gashouse’ in London is their major source of power- it’s smutty and doesn’t help their ‘wasteland’. “While I was fishing in the dull canal” gives the narrator, or the Fisher King, more of a well-rounded atmosphere. “Missing upon the kind my brother’s wreck and on the king my father’s death before him. White bodies naked on the low damp ground and bones cast in a little low dry garret.” People are dead on the side of the trenches – the Tempest is referred to again.
“Twit twit twit jug jug jug jug jug so rudely for’d Tereu” is the nightingale song that sets up the third part of this section. The nightingale song, like in The Fire Sermon, is hinting at a rape – “rudely forc’d”. A woman wouldn’t be singing to this however, but more yelling or screaming.
In the Unreal City of London, a Smyrna merchant ‘with a pocket full of currents’ tries to seduce the narrator, the Fisher King by asking him to lunch and a weekend away in Metropole. The merchant doesn’t even know the narrator yet tries to seduce him anyways - theme of lust vs. love. Taro cards are present again; like in the first section of the Waste Lands it foresees something, and in this instance it’s the merchant. The merchant seducing the Fisher King alludes to Dante.
The next speaker is Tiresias – he’s a blind seer like the fortune teller earlier on in the poem. He talks about his apartment – and then about a man who arrived at a woman’s house. After the meal ends, the man assaults her as she is not able to put up any defense – she was drugged making her weak and tired. He rapes her willingly and again refers back to the theme of lust vs. love where there is obviously no love present at all. The man is spiritually dead and the woman in a way is too – “Well now that’s done; and I’m glad it’s over.” She accepts it and doesn’t seem to feel…anything that a normal person would. Perhaps living in the Waste Land people were just okay with the things going wrong with and around them.
The final part of the section has a setting of a lower class fisherman lounge probably sometime in the afternoon where music is being played. The song essentially sums up all of what was discussed throughout this section – the river that ‘sweats oil and tar’, the rape and the overall theme of lust vs. love. “Weilalala leia Wallala leialala” is used to show when someone is crying. Dante is referred to “Richmond and Kew undid me” – (Dante) ‘Siena made me, Maremma unmade me,’ a reference to her violent death in Maremma at her husband’s hands. “Burning burning burning burning” alludes back to section 2, the Buddha’s Fire Sermon (BUT the line isn’t quoted from it). The song is used to bring everything together.
Note sections 1, 2, 3 are all titles from religious texts. Why? What is up with the title of this section? You might look into the Buddhist text.
ReplyDeleteIn this section Lust has replaced Love. The river nymphs were river gods or the souls of river. The departure shows that the rivers are truly dead. Why the Tempest? Why "TO His Coy Mistress"? The imagery should also give you a vision of WWI (the idea of a destroyed city - through London was not destroyed). It should reinforce the idea of Hell or purgatory.
Tiresias - spoke to Odysseus in Hades (he kind of lead Odysseus through the dead - this gives you three versions of Hades/Hell - Tiresias (Odyssey), Sybil (Aeneid), Dante (The Inferno). Tiresias is blind so he seeing a vision in this section (relate to the fortune teller in Part I). How do you know the woman is drugged in this section? The scene plays out like a rape, but she kind of goes along with it - and just cast it off with a "I'm glad that's over". You're correct both characters are spiritually dead?
Well done!